Heather Killmeyer enjoys a varied career as a recitalist, chamber and orchestral musician,
and educator. She currently serves as Associate Professor of Double Reeds at East
Tennessee State University. Prior to her appointment at ETSU in 2012, she was on faculty
at University of the Incarnate Word and maintained a large private studio in San Antonio,
Texas.
An active artist-clinician, Dr. Killmeyer has taught clinics and masterclasses in
California and throughout the southeast. Her orchestra experience includes performances
with the Los Angeles Philharmonic, Symphony Silicon Valley, Las Vegas Philharmonic,
Reno Philharmonic, San Antonio Symphony, Corpus Christi Symphony, Knoxville Symphony,
Western Piedmont Symphony, Symphony of the Mountains, and the Johnson City Symphony.
She has worked with artists as diverse as Béla Fleck, Marvin Stamm, Christopher O’Riley,
Elizabeth Pitcairn, Anne-Marie McDermott, David Benoit, actors Martin Sheen and John
Cho, and Don Vappie and the Creole Jazz Serenaders.
Renowned for her imaginative programming and experimental approaches to audience engagement,
Dr. Killmeyer has performed at International Double Reed Society conferences in the
United States and abroad. Her summer engagements have included the Hot Springs Music
Festival, National Music Festival, Mozart Festival Texas, and the Classical Music
Festival in Eisenstadt, Austria. Since 2015, she has annually served as one of only
two oboists worldwide to perform at the International Fellowship of Conductors, Composers,
and Collaborators.
A passionate advocate for new music, Dr. Killmeyer has contributed to the oboe repertoire
through numerous commissions and consortia. Recent works written for her have incorporated
the sounds and impressions of Appalachia: Lev “Ljova” Zhurbin’s An Appalachian Wind
for oboe, bluegrass band, and narrator (2015); Brian DuFord’s Coal Trail on Rails
for oboe and prerecorded sound (2018); and Neal Endicott’s solo oboe piece Inverse
Variations on An Appalachian Ballad (2021).
Heather Killmeyer earned her Doctor of Musical Arts from the University of Southern
California’s Thornton School of Music, where she studied oboe with Allan Vogel and
chamber music with David Weiss and Yehuda Gilad. She graduated from USC with honors
for Woodwind Chamber Music and as the Winds & Percussion Department’s outstanding
graduate. Prior to her move to Los Angeles, she received her Master of Music with
Stephen Caplan at the University of Las Vegas and her Bachelor of Music from the Cincinnati
College-Conservatory of Music. During her time in Mark Ostoich’s studio at CCM, she
was the recipient of the Marcel J. Dandois Memorial Prize in Oboe. Heather has enjoyed
additional studies with Jared Hauser and Brenda Schuman-Post on oboe and Sharon Kuster
on bassoon.
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